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Opening the arts landscape of Britain.

Author profile picture Eleanor
i
Recipient profile picture Darren Henley
i
4 May
Dear Darren Henley,
I write to you from Cardiff, after leaving the art world of London in 2020 (I am an artist and writer) to explore creative communities outside the capital city. Your book, The Arts Dividend Revisited: Why Investment in Culture Pays, elaborated on all that is to be gained in the UK from renewed investment in our arts and culture — both the creation of new arts and culture and the preservation of our heritage. I wondered what you thought of the fact that the cultural landscape in the UK is extremely London-centric, especially with regard to new arts professionals developing their careers. Is there something that can be specifically done to reduce the contraction of our cultural landscape? One of the reasons I moved outside of London, was that I felt it was crucial to explore other creative communities and build new avenues in the rest of the country. I am originally from the West Midlands, and found that as soon as I wanted to pursue my career, I had to move away from where I had grown up in order to pursue opportunities, despite the fact that Birmingham is one of the largest cities in Britain. There is also a real focus of international investment in London, as I’m sure you are aware, and I notice that there is definitely not the same extent of international interest or financial backing across the rest of Britain, or even England. This disparity is of course tied to wider gap in economic growth between London and the rest of the UK. I fear that Britain is fast becoming so detached from its capital city that many people don’t identify at all with the cultural history or modern artistic landscape contained with it. The museums and galleries that became normal to me when I lived in London were a far cry from when I grew up, and I wonder if as well as developing the rest of the country, we can also make people feel more welcome in these cultural spaces? This atmosphere of being a foreigner in one’s own cultural heritage is not confined to London, but it is particularly prescient there. Many people do not feel comfortable in places such as the National Gallery, the British Museum, or the many contemporary art galleries situated around Soho. I wonder therefore, if there could be some way of investing in outreach projects for arts venues in order to make them more welcoming for people from varied backgrounds? These could take the form of discussion groups, openings, social events, or classes — but I would be interested to hear your thoughts on any other suggestions. I think that it is vitally important that we avoid the cultural landscape and creative economy of the UK becoming even more reflective of our long-ingrained class system. Our strength as a creative nation is in our variation, our irreverence, and ability to break new ground. For these principles to continue, we need to welcome people from all backgrounds into our cultural spaces actively and not passively — we need to show them that they are welcome. I look forward to hearing your thoughts. Yours sincerely,

Eleanor

Author profile picture Eleanor
8 June
Dear Eleanor,

Thank you for taking the time to write to me. I am sorry to hear about the barriers you have had to overcome to get a start in your career in the creative and cultural sector, including moving away from your home city of Birmingham.

Your story is a poignant reminder of what I believe and what the Arts Council believes: that talent is everywhere but opportunity is not.

Our strategy Let’s Create demonstrates our ambition to change this. We want England to be a country in which the creativity of each of us is valued and given a chance to flourish. And we want to see a country where everyone has the chance to access high-quality cultural experiences.

We are making sure this happens in a number of different ways and that includes rebalancing our investment.

The last two rounds of our investment have seen more money go to fund organisations based outside of London. That is something that we have pledged to continue when the new 2023-26 investment round is announced later this year. It is part of a process which has seen the tax-payers money we invest in creativity and culture move from a time when 40% was invested outside of the capital, to today when 60% is spent outside of London. Our National Lottery investment has risen from a historic baseline of 60% spent outside London to 75% now invested outside the capital. Later this year we will announce our 2023-26 Investment Programme. That will see all the additional Government funding we receive – a total of £43.5m – be invested outside of London.
Our Priority Places and the Government’s Levelling Up for Culture Places show our commitment to this too. They are places where investment in culture and engagement with culture has been in the past low. Another way we are making sure that there is greater opportunity to experience and take part in high quality creativity and culture is through our Creative People and Places programme.

Making access to the creativity and culture fairer is a big part of what we do at the Arts Council. Making sure that happens through the projects and changes to investment I have outlined is part of that work. But hearing about real lived experience like yours Eleanor is also a vital part of that work too.

Yours sincerely

Darren Henley

Darren Henley

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    Dear Kevin P., [justify]Lorem ipsum dolor sit amet, consectetur adipiscing elit. Maecenas et suscipit purus. Sed placerat augue et ullamcorper imperdiet. Donec nec hendrerit tortor. Curabitur viverra sapien non leo lobortis iaculis. Duis ullamcorper risus et porta ...

    Please, can you tell us how to protect democracy?

    Tobias Lim on 7 November
    Responses: 0

    Dear Jennifer Dresden, [highlight=transparent]I am an ordinary citizen who is concerned about the future of democracy. You know better than I that the US midterm elections will be a bellwether for things to come.[/highlight] [highlight=transparent]You gave a fantastic int...

    Joe biden have big wrong as economically because he distributed billions of dolars in the pandemic .

    Hamit Mumcu on 10 November
    Responses: 0

    Dear Biden, Joe biden have big wrong as economically because he distributed billions of dolars in the pandemic . This was bad thing for economic but that was good as social state . All world effected this progress. All stock markets had big acceleration as posi...

    Why are video games so violent?

    Tobias Lim on 15 November
    Responses: 0

    Dear Michael Kasumovic, [highlight=transparent]I came across an interesting article on [/highlight][color=rgb(17, 85, 204)][highlight=transparent][url=https://newsroom.unsw.edu.au/news/science-tech/why-do-we-play-violent-video-games#:~:text=Kasumovic%20says.,to%20satisfy%20...

    Love, Terror, and Brainwashing — How can we stop cult-like politics?

    Tobias Lim on 15 November
    Responses: 0

    Dear Alexandra Stein, [highlight=transparent]In light of recent political developments, I was looking for books and papers to better understand the nature of human organization and social structure. I found your research on cults especially illuminating. So t[/highlight]h...

    What are your plans for Cressbrook Dale?

    Christopher Crompton on 21 November
    Responses: 0

    Dear Rachel Elnaugh, I have been visiting the Peak District National Park for many years and regard Cressbrook Dale as one of its gems of natural beauty and biodiversity. The woodland and wildflowers through the seasons are a particular joy, and as National Park access l...

    In Praise of Classical Music

    Dale Joseph Ferrier on 22 November
    Responses: 0

    Dear Internet, [justify][highlight=transparent]Our culture around the world is immensely varied with a myriad of arts, traditions, and literature. But possibly the most defining of these for each of our societies is music. The various ways we generate what would or...

    Letters to Tarkovsky

    Tobias Lim on 4 December
    Responses: 0

    Dear Internet, When a nobody like myself writes in letter form to a public figure, there is only a small probability that she will see my words amidst the flood of mail and messages that she inevitably receives. Beyond that, there is an even smaller chance that she...

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