4 May
Dear Darren Henley,
I write to you from Cardiff, after leaving the art world of London in 2020 (I am an artist and writer) to explore creative communities outside the capital city. Your book, The Arts Dividend Revisited: Why Investment in Culture Pays, elaborated on all that is to be gained in the UK from renewed investment in our arts and culture — both the creation of new arts and culture and the preservation of our heritage. I wondered what you thought of the fact that the cultural landscape in the UK is extremely London-centric, especially with regard to new arts professionals developing their careers.
Is there something that can be specifically done to reduce the contraction of our cultural landscape? One of the reasons I moved outside of London, was that I felt it was crucial to explore other creative communities and build new avenues in the rest of the country. I am originally from the West Midlands, and found that as soon as I wanted to pursue my career, I had to move away from where I had grown up in order to pursue opportunities, despite the fact that Birmingham is one of the largest cities in Britain. There is also a real focus of international investment in London, as I’m sure you are aware, and I notice that there is definitely not the same extent of international interest or financial backing across the rest of Britain, or even England.
This disparity is of course tied to wider gap in economic growth between London and the rest of the UK. I fear that Britain is fast becoming so detached from its capital city that many people don’t identify at all with the cultural history or modern artistic landscape contained with it. The museums and galleries that became normal to me when I lived in London were a far cry from when I grew up, and I wonder if as well as developing the rest of the country, we can also make people feel more welcome in these cultural spaces? This atmosphere of being a foreigner in one’s own cultural heritage is not confined to London, but it is particularly prescient there. Many people do not feel comfortable in places such as the National Gallery, the British Museum, or the many contemporary art galleries situated around Soho. I wonder therefore, if there could be some way of investing in outreach projects for arts venues in order to make them more welcoming for people from varied backgrounds? These could take the form of discussion groups, openings, social events, or classes — but I would be interested to hear your thoughts on any other suggestions.
I think that it is vitally important that we avoid the cultural landscape and creative economy of the UK becoming even more reflective of our long-ingrained class system. Our strength as a creative nation is in our variation, our irreverence, and ability to break new ground. For these principles to continue, we need to welcome people from all backgrounds into our cultural spaces actively and not passively — we need to show them that they are welcome. I look forward to hearing your thoughts.
Yours sincerely,
Eleanor
Eleanor